Heaven inside out
/ one day in the paradise /
Heaven inside out
/ one day in the paradise /
Heaven inside out
/ one day in the paradise /
[ 01 ] Challenge
[ 01 ] Challenge
[ 01 ] Challenge
What if paradise is not peace, but a chaotic and controversial spectacle?
This is a satirical motion experiment that flips the classic image of paradise upside down – questioning contemporary utopias, irony, and the comfort of kitsch in modern design.
Here, paradise mutates into a weird blend of entertainment, consumption, and absurdity. It’s never clear if it presents utopia, parody, or a mirror of our own desires?
What if paradise is not peace, but a chaotic and controversial spectacle?
This is a satirical motion experiment that flips the classic image of paradise upside down – questioning contemporary utopias, irony, and the comfort of kitsch in modern design.
Here, paradise mutates into a weird blend of entertainment, consumption, and absurdity. It’s never clear if it presents utopia, parody, or a mirror of our own desires?
What if paradise is not peace, but a chaotic and controversial spectacle?
This is a satirical motion experiment that flips the classic image of paradise upside down – questioning contemporary utopias, irony, and the comfort of kitsch in modern design.
Here, paradise mutates into a weird blend of entertainment, consumption, and absurdity. It’s never clear if it presents utopia, parody, or a mirror of our own desires?
[ 02 ] Approach
[ 02 ] Approach
[ 02 ] Approach
I built the world of “kitsch paradise” from layered digital collages, animating exaggerated rituals, pop motifs, and symbols that blur the lines between sacred and senseless.
Deliberately “too much” in both color and shape, each sequence dives into playful overkill: vibrant neons, baroque florals, naive doodles.
I built the world of “kitsch paradise” from layered digital collages, animating exaggerated rituals, pop motifs, and symbols that blur the lines between sacred and senseless.
Deliberately “too much” in both color and shape, each sequence dives into playful overkill: vibrant neons, baroque florals, naive doodles.
I built the world of “kitsch paradise” from layered digital collages, animating exaggerated rituals, pop motifs, and symbols that blur the lines between sacred and senseless.
Deliberately “too much” in both color and shape, each sequence dives into playful overkill: vibrant neons, baroque florals, naive doodles.
[ 03 ] Solution
[ 03 ] Solution
[ 03 ] Solution
The result is 100% ironic: sometimes awkward, but always personal.
Just a surreal animated day in “paradise,” where familiar icons lose meaning, pleasure becomes performance, and every explosion of glitter feels both inviting and slightly off. The piece invites you to embrace both the cringe and the comfort, confronting your own longing for escape and laughter at the same time.
The result is 100% ironic: sometimes awkward, but always personal.
Just a surreal animated day in “paradise,” where familiar icons lose meaning, pleasure becomes performance, and every explosion of glitter feels both inviting and slightly off. The piece invites you to embrace both the cringe and the comfort, confronting your own longing for escape and laughter at the same time.
The result is 100% ironic: sometimes awkward, but always personal.
Just a surreal animated day in “paradise,” where familiar icons lose meaning, pleasure becomes performance, and every explosion of glitter feels both inviting and slightly off. The piece invites you to embrace both the cringe and the comfort, confronting your own longing for escape and laughter at the same time.
[ 04 ] Impact
[ 04 ] Impact
[ 04 ] Impact
Feedback? No one feels neutral.
Viewers called the film “strange, uncertain, and weirdly authentic.”
For me, it was a direct experiment outside my comfort zone – a visual diary of letting go of “good taste” and redefining what design can be.
Feedback? No one feels neutral.
Viewers called the film “strange, uncertain, and weirdly authentic.”
For me, it was a direct experiment outside my comfort zone – a visual diary of letting go of “good taste” and redefining what design can be.
Feedback? No one feels neutral.
Viewers called the film “strange, uncertain, and weirdly authentic.”
For me, it was a direct experiment outside my comfort zone – a visual diary of letting go of “good taste” and redefining what design can be.
[ 05 ] See it in action
[ 05 ] See it in action
[ 05 ] See it in action
Would you dare to spend a day in this paradise? Watch the animation and rethink your own boundaries of kitsch.
Would you dare to spend a day in this paradise? Watch the animation and rethink your own boundaries of kitsch.
Would you dare to spend a day in this paradise? Watch the animation and rethink your own boundaries of kitsch.
